| Johann Sebastian Bach (1685–1750) / Wilhelm Kempff (1895–1991) |
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| Vorspiel zur Ratswahlkantate |
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| “Wir danken dir, Gott, wir danken dir”, BWV 29 (1731/1931) |
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| Johann Sebastian Bach / Harold Bauer (1873–1951) |
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| Die Seele ruht in Jesu Händen |
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| Aria from the Cantata “Herr Jesu Christ, wahr’ Mensch und Gott”, BWV 127 (1725/publ. 1944) |
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| Georges Bizet (1838–1875) / Leopold Godowsky (1870–1938) |
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| Adagietto from L’Arlésienne Suite No. 1 (1872/1927) |
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| Carl Bohm (1844–1920) / Leopold Godowsky |
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| Still wie die Nacht, Op. 326, No. 27 (publ. 1889/1921) |
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| Robert Schumann (1810–1856) / Leopold Godowsky |
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| Du bist wie eine Blume, Op. 25, No. 24 (1840/1921) |
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| Franz Schubert (1797–1828) / Leopold Godowsky |
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| Ballet Music from “Rosamunde”, D. 797 (1823/1922) |
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| Frédéric Chopin (1810–1849) / Leopold Godowsky |
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| Posthumous Waltz in D-flat major, Op. 70, No. 3 (1829/1920) |
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| Frédéric Chopin / Franz Liszt (1811–1886) |
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| Bacchanal (Hulanka) from Six Polish Songs, S. 480 (1830/1857–1860) |
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| Bedrich Smetana (1824–1884) |
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| Polka de salon in F-sharp major, Op. 7, No. 1 (1855) |
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| Adolph von Henselt (1814–1889) |
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| “Si oiseau j’étais, à toi je volerais” |
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| Étude caractéristique, Op. 2, No. 6 (publ. 1838) |
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| Federico Mompou (1893–1987) |
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| Canciónes y danzas |
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| No. 1 Quasi moderato – Allegro non troppo (1921) |
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| No. 4 Moderat – Viv (1928) |
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| No. 6 Cantabile espressivo – Ritmado (1942) |
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| Moritz Moszkowski (1854–1925) / Albert Ulrich |
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| from Five Spanish Dances, Op. 12 (publ. 1876) |
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| No. 1 Allegro brioso |
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| No. 2 Moderato |
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| No. 3 Con moto |
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| Leopold Godowsky |
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| from Triakontameron. Thirty Moods and Scenes in Triple Measure (1919/20) |
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| No. 11 Alt-Wien |
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| No. 19 A Little Tango Rag |
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| No. 18 Anachronisms |
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| No. 13 Terpsichorean Vindobona |
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| Johann Strauss II (1825–1899) / Leopold Godowsky |
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| Symphonic Metamorphoses on Themes from “Die Fledermaus” (1847/1907) |
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| Ignaz Friedman (1882–1948) |
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| Marquis et Marquise, Op. 22, No. 4 (from Estampes, publ. 1906) |
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| Dirk Schäfer (1873–1931) |
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| Mainacht. Etude, Op. 3, No. 7 (publ. 1900) |
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